Category Archives: movie review

The Hangover: Movie Review

The musical cues in this film are amazing- they grabbed me by the neck and rubbed my face in my pleasurable addictions. When the bachelor party goes up on the roof, dressed to party and taking their first drinks, the lights of the city in front of them, I felt that familiar buzz of potential at the beginning of an epic night. Which makes you forget the bill to be paid in the morning.

It’s a genius setup, building tension and ridiculousness as the bachelor party tries to piece together what happened. The next scene owes much to Fear and Loathing in Las Vegas, and borrows a bit of the danger and misery of that film, although not the depth.

For me, the roof scene is way more romantic than the (spoiler, I guess?) wedding scene, which felt tacked on and tired. Bros before hoes? Gender dysphoria? I’m never going to be invited to a bachelor party.

I think I have to watch it again. It’s got a great engine and good flawed characters doing uncomfortable performances (although the pretty boys were dull- could have had a little more Thomas Haden Church pathos from them). But it lost steam for me partway through. Or my blueberry martini wore off at that point. What do you all think?

You treat me badly, I love you madly: Disney, Cinderella and Selena Gomez

Miranda made me watch this movie yesterday.
Another Cinderella Story on DVD and BLU-RAY
It was excruciating. But I loved hearing her explain how she feels when she watches romantic comedies like this: it’s her drug of choice. I get that.

Happy Go Lucky by Mike Leigh

I have lots of movie and tv show rules and I am always having to go wash the dishes or make a phone call when characters behave in ways that make me uncomfortable. I stopped watching the Wire and Six Feet Under because they were too upsetting. Why do people treat each other this way, I wonder, jamming my fingers in my ears and hiding my face.

I figured I would be able to take about twenty minutes of this movie.

Instead, I was fascinated by Poppy (Sally Hawkins) while I waited for something terrible to happen to her. The viewer gets to know her slowly- she talks in cliches and glib Ricky Gervaisian rhymes, so it takes a while to see and hear how she interacts with the world. John Tarrant has written a buddhist take on the movie that I can agree with.

Interesting to me is how angry movies like this and Away We Go make reviewers. They find Poppy’s and John Krasinski’s goofy thoughtful niceness to be insufferable in a way they don’t hate on the idiot heroes of more straightforward situation comedies. Why is that? Is it boring to watch? What makes it boring?

I was surprised to read that some viewers found Poppy to be terribly self-absorbed – just the same criticism that Away We Go got. But Poppy is a great listener and has a close circle of family and friends, unlike most women comedic characters. I think there is room given each of the people she encounters and we see them differently because we see them through Poppy’s gaze. The warm interaction she has with a chiropractor after putting her back out gives the scene a dramatic potential that holds your attention despite nothing particularly happening.

Away We Go by Eggers/Vida/Mendes

Benefit screening at Coolidge Theatre for 826, followed by a q & a with Mr. Eggers, the dreamy John Krasinski, the clever Maya Rudolph. Of course I thought of all the good questions on the train home.

Burt and Verona are unhomed in a way that felt very familiar to me- they’re expecting their first child and go around the country trying to figure out where and how they want to raise it. Phoenix? Montreal? uh, anywhere? Who will their friends be? How will they live? Are they fucked up for being in their thirties and having no idea how to do this?
The movie is funny and sweet and unlike every romantic comedy you’ve seen because they are a solid unit. This allows the filmmaking to be generous to the killer supporting cast- Maggie Gyllenhaal, Catherine O’Hara, Jeff Daniels, Allison Janney.

“What about me me me” anxiety dominates most films of this type. I.e., Knocked Up- where the main characters could barely breathe, much less have time for their friends or family and although I laughed, I walked out of the theater tense and miserable from watching the contortions they went through. Or Juno, (sorry alli) where the precociousness of the main character and the dialog was bogus and distancing.

Away We Go is open and hopeful and really really funny.

I heart Star Trek

vulcan emily

vulcan emily

Boys of Baraka

This film follows four severely disadvantaged seventh grade African American boys in Baltimore who were selected to attend an experimental boarding school in Kenya. It is a gripping film. (thanks for the rec. Jesse)

The premise of the school (and the movie, ultimately) was that these boys
needed to be completely removed from their destructive environment in order to grow into healthy successful adults. But that opportunity is possible for very very few and is precarious at best.

Anyone got any bright ideas about how to make urban libraries vital engines in the fight against generational poverty? Hmmm?

This movie wasn’t about libraries but there are branches in the neighborhoods where those boys live. Here is the mission statement of the Baltimore City system, the Enoch Pratt Free Library:

To provide equal access to information and services that support, empower, and enrich all who pursue knowledge, education, cultural enrichment, and lifelong learning.

Support, empower and enrich. Is it possible to change the city and culture from within? We need to start taking our resources seriously and put them to work. Our culture has treated many of our citizens and our institutions as worthless. This must stop.

Nick and Norah vs Zack and Miri

These couples are ten years and two socioeconomic classes apart. Out in Pittsburgh, Z and M are 30, orphaned and broke, heating their apartment with a barrel fire. N and N are rich, 18, and make NYC look like a joyous playground. I actually thought “wow, it would be fun to grow up in Jersey!” while watching this, something i had certainly never considered before.

What do they have in common beyond a romantic comedy structure- that is, fantasy, and gayness and sleeping around for others, straightness and fidelity for our heroes. Also, friendship and family are far less important than true love.

Did i like them? Yes, I liked them both. Do I feel satisfied? No i do not. I liked the urban playground more (there’s Union Pool! I’ve been there!)- i couldn’t let go of the idea that Zack and Miri were going to die of carbon monoxide poisoning. For that matter there is no way N & N are getting through the first semester of college together- it’s a summer fling that makes me feel old and somehow more perverted that watching Traci Lords have anal sex. Why?

I want more from the movies. I want real characters.

Gran Torino by Clint Eastwood

Go watch it and then we’ll discuss- it’s surprising.

Milk

longest winter ever, right?

longest winter ever, right?

I had a bizarre reaction, I guess, to the screenwriter’s acceptance speech. I was bored by it. I knew it, blah blah blah why is he wasting our time with his human rights jibber jabber.

The weird part of that is that I actually was one of those gay kids. Not old school, no not the horror of the olden days. I was a kid who didn’t stay closeted because I was such an emotional mess, I couldn’t keep anything hidden. And I was angry and upset about EVERYTHING so that was another thing on my long list of things to feel alienated and miserable about. But it is true that my stepmother didn’t speak to me for five very long years. And that she told me I was a bad influence on my little sisters. So I moved out. And I faced daily ridicule at school. And and and.

I find boredom usually does cover for some pretty heavy emotions.

This is a beautiful movie- Sean Penn’s wrinkled strange face is absolutely riveting. His energy and joy are an inspiration. I hate biopics. But somehow this doesn’t feel like a biopic, even as it gives you a real romance and plenty of melodrama. What it feels like is another reminder that this very moment is all you get and you’d better try and do something good, even if you screw it up.

Quantum of Solace

Enough about me, let’s talk about James Bond. He’s awesome, agreed? Sure, Anthony Lane, I’d also like to watch Daniel Craig have more graphic sex. Duh.  Still a great Bond film.  Jack White wrote the opening song.  Catacombs, blood, tuxedos, punching, naked women, “driving”.

Watched this in the fabulous Cabot Theater. Popcorn, tea, homemade turtle chocolates, sprung seats from before my mother was born, and the man in a tuxedo selling me Junior Mints all create an optimum movie going experience.